Compulational Media Reading List

AUTHOR	TITLE	YEAR	PUBLISHER	CROSS
MEDIA STUDIES
Adorno and Horkheimer	“The Culture Industry”	1944	London: Routledge(2001)
->	Intersection of technology and human behavior. Audience is people interested in AI, its limitations, cultural and lived experiences in computational modeling.
Auslander, Liveness	Liveness	1999	Routledge
->	Why it is an important text and who is the audience?
Bazin, André,	“The Ontology of the Photographic Image”	1960	University of California Press
->	Why it is an important text and who is the audience?
Bazin, André,	“The Myth of Total Cinema”	1967	University of California Press
->	Why it is an important text and who is the audience?
Baym, N. K.	Personal Connections in the Digital Age. Germany	2015	Polity Press
->	Why it is an important text and who is the audience?
Bakhtin, M.M.	Toward a Philosophy of the Act	1993	University of Texas Press
->	Why it is an important text and who is the audience?
Benjamin, Walter	“Work of Art in the Age of Mechanical Reproduction”	1936	Prism Key Press (2010)
->	Why it is an important text and who is the audience?
Holquist, M.	Dialogism: Bakhtin and His World	2002	Routledge
->	Why it is an important text and who is the audience?
Bogost, Ian	Persuasive Games	2007	Cambridge MA: MIT Press
->	Why it is an important text and who is the audience?
Bogost, Ian	Racing the Beam	2009	Cambridge MA: MIT Press
->	Why it is an important text and who is the audience?
Bolter, Jay & Grusin, Richard	Remediation: Understanding New Media.	1999	Cambridge MA: MIT Press
->	Why it is an important text and who is the audience?
Bordwell, David	"Post Theory"	1996	The University of Wisconsin Press
->	Why it is an important text and who is the audience?
Boyd, Danah	It's Complicated	1997	New Haven: Yale University Press	HCI
->	Why it is an important text and who is the audience?
Caillois, R.	Man, Play, and Games.	1961	New York: Free Press of Glencoe
->	Why it is an important text and who is the audience?
Chan, Anita Say	Networking Peripheries	2014	Cambridge MA: MIT Press
->	Why it is an important text and who is the audience?
Debord, Guy	Society of Spectacle (also the film version on YouTube)	2021	Unredacted Word
->	Why it is an important text and who is the audience?
Dick Higgins	"Intermedia"	2001	Cambridge MA: MIT Press
->	Why it is an important text and who is the audience?
Fernandez Vara, Clara.	Introduction to Game Analysis	2014	New York: Routledge
->	Why it is an important text and who is the audience?
Geertz,	The Interpretation of Cultures	1973	New York :Basic Books
->	Why it is an important text and who is the audience?
Gillespie,	Media Technologies	2014	Cambridge MA: MIT Press
->	Why it is an important text and who is the audience?
Greenberg,	“Avant-garde and Kitsch” and “Modernist Painting”	1960	Not Sure Publisher
->	Why it is an important text and who is the audience?
Hayles, N. K.	How We Think: Digital Media and Contemporary Technogenesis.	2012	Chicago: University of Chicago.
->	Why it is an important text and who is the audience?
Herman, D.	Story Logic: Problems and Possibilities of Narrative	2002	Nebraska University Press
->	Why it is an important text and who is the audience?
Huizinga, J.	Homo Ludens; a Study of the Play-Element in Culture.	1980 (1949)	London: Routledge.
->	Why it is an important text and who is the audience?
Jameson, Fredric	Postmodernism	1981	Duke University Press
->	Why it is an important text and who is the audience?
Jenkins, Henry	Convergence culture: Where old and new media collide.	2006	New York: NYU Press
->	Why it is an important text and who is the audience?
Kay and Goldberg	"Personal Dynamic Media"	2003	New Media Reader
->	Why it is an important text and who is the audience?
Lakoff and Johnson,	Metaphors We Live By	2003	University Of Chicago Press	STS
->	Why it is an important text and who is the audience?
Manovich, Lev	The Language of New Media	2001	Cambridge MA: MIT Press
->	Why it is an important text and who is the audience?
Mateas, M.	"A preliminary poetics for interactive drama and games"	2001	Digital Creativity, 12(3), 140-152.
->	Why it is an important text and who is the audience?
McLuhan, Marshall	Understanding Media: The Extensions of man	1964	Cambridge MA: MIT Press
->	Why it is an important text and who is the audience?
Meyrowitz, J.	No sense of place: The impact of electronic media on social behavior.	1985	New York: Oxford University Press	STS? not MS
Mitchell, W. J. T.	Picture Theory	1994	Chicago : University of Chicago Press
->	This is a significant book that challenges traditional approaches to the study of visual art and explores the complex relationship between images and language. The book argues that images are not simply representations of reality but active agents that shape our understanding of the world. Its broad audience includes scholars and students in art history, visual culture, media studies, and cultural studies
Mulvey, Laura	“Visual Pleasure and Narrative Cinema”	1975	Screen 16
->	Why it is an important text and who is the audience?
Murray, Janet	Hamlet on the Holodeck	2017	New York :Free Press
->	Why it is an important text and who is the audience?
Nelson, Ted	Computer Lib/Dream machines (excerpts)	2003	New Media Reader
->	Why it is an important text and who is the audience?
Raymond Williams	“The technology and the society”	2003	New Media Reader
->	Why it is an important text and who is the audience?
Schechner, Richard	Performance Studies, Chapter 2	1934	New York: Routledge
->	Why it is an important text and who is the audience?
Schön, D. A.	Educating the reflective practitioner.	1987	San Francisco, CA: Jossey-Bass Inc	Design not MS
->	Why it is an important text and who is the audience?
Sudnow, D.	Pilgram in the Microworld	1979	Warner Books (NY)
->	Why it is an important text and who is the audience?
Sutton-Smith, B. (1997).	The Ambiguity of Play	1997	Cambridge, MA: Harvard University Press
->	Why it is an important text and who is the audience?
Turkle, S. (1995).	Life on the Screen	1995	New York: SImon and Schuster	HCI/STS
->	Why it is an important text and who is the audience?
Vannevar Bush	"How We May Think"	1945	New Media Reader
->	Why it is an important text and who is the audience?
Klein, Julie Thompson	Interdisciplining Digital Humanities: Boundary Work in an Emerging Field	2015	University of Michigan Press
->	Why it is an important text and who is the audience?
McCullough, Malcolm	Abstracting Craft: The Practiced Digital Hand	1996	The MIT Press
->	Why it is an important text and who is the audience?
Kittler, Friedrich A.	Gramophone, Film, Typewriter	1999	Stanford University Press
->	Why it is an important text and who is the audience?
Wakkary, Ron	Things We could design: For More Than Human-Centered Worlds	2021	The MIT Press
->	Why it is an important text and who is the audience?
Wark, McKenzie	Gamer Theory	2007	Harvard University Press
->	Why it is an important text and who is the audience?
Sack, Warren	The Software Arts	2019	The MIT Press
->	Why it is an important text and who is the audience?
Agre, Philip E	Computation and Human Experience	1997	Cambridge University Press
->	Why it is an important text and who is the audience?
D'Ignazio, Catherine and Klein, Lauren F.	Data Feminism	2020	The MIT Press
->	Why it is an important text and who is the audience?
Fournier, Lauren	Autotheory as Feminist Practice in Art, Writing, and Criticism	2021	The MIT Press
->	Why it is an important text and who is the audience?
Galloway, Alexander R.	Uncomputable: Play and Politics in the Long Digital Age	2022	Verso Books
->	Why it is an important text and who is the audience?
ARTIFACTS
Lebling, P. D., Blank, M. S., and Anderson, T. A.	Zork:A Computerized Fantasy Game.	1979	IEEE Computer, 12(4), 51-59.
->	Why it is an important text and who is the audience?
Mateas and Stern	Facade	2005	not specified
->	Why it is an important text and who is the audience?
Miyamoto, Shigeru	Donkey Kong; Super Mario Brothers	1981; 1985	not specified
->	Why it is an important text and who is the audience?
Sierra On-Line	Mystery House, King's Quest series	1980	not specified
->	Why it is an important text and who is the audience?
Woods, W. C. a. D	Adventure	1980	not specified
->	Why it is an important text and who is the audience?
Wright, W.	Sim City	1989	Maxis Software
->	Why it is an important text and who is the audience?
Wright, W.	The Sims	2000	not specified
->	Why it is an important text and who is the audience?
Kagen, Melissa	Wandering Games	2022	The MIT Press
->	Why it is an important text and who is the audience?
STS
Brock, André	Critical Technocultural Discourse Analysis	2018	New Media & Society
->	Why it is an important text and who is the audience?
Bellacasa, María Puig de la	Matters of Care	2017	University of Minnesotat Press
->	Why it is an important text and who is the audience?
Benjamin, Ruha	Race After Technology	2019	Polity Press
->	Why it is an important text and who is the audience?
Berger, Peter L., and Thomas Luckmann.	The Social Construction of Reality	1967	Anchor
->	Why it is an important text and who is the audience?
Bijker, Wiebe E., Thomas P. Hughes, and Trevor Pinch.	The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology.	1989	MIT Press	HCI
->	Why it is an important text and who is the audience?
Bloor, David	Knowledge and Social Imagery	1976	University of Chicago Press
->	Why it is an important text and who is the audience?
Bowker, Geoffrey C., Karen Baker, Florence Millerand, and David Ribes.	Toward Information Infrastructure Studies: Ways of Knowing in a Networked Environment.	2009	Springer
->	Why it is an important text and who is the audience?
Bowker, Geoffrey, and Susan Leigh Star	Sorting Things Out: Classifiation and its Consequences	1999	MIT Press
->	Why it is an important text and who is the audience?
Cetina, Karin Knorr	Epistermic Cultures: How the Sciences Make Knowledge	1999	Cambridge, MA: Harvard University Press
->	Why it is an important text and who is the audience?
Chan, Anita Say	Networking Peripheries: Technological Futures and the Myth of Digital Universalism.	2013	Cambridge, MA: MIT Press
->	Why it is an important text and who is the audience?
Clarke, Adele E., Carrie Friese, Rachel Washburn, and Kathy C Charmaz	Situational Analysis in Practice: Mapping Research with Grounded Theory	2015	Routledge
->	Why it is an important text and who is the audience?
Cowan, Ruth Schwartz.	“The 'Industrial Revolution' in the Home: Household Technology and Social Change in the 20th Century.”	1976	Technology and Culture 17(1): 1–23.
->	Why it is an important text and who is the audience?
Downey, Gary Lee	The Machine in Me: An Anthropologist Sits Among Computer Engineers. 1st ed.	1998	New York, NY: Routledge
->	Why it is an important text and who is the audience?
Edwards, Paul N.	A Vast Machine: Computer Models, Climate Data, and the Politics of Global Warming	2010	Cambridge, MA: MIT Press
->	Why it is an important text and who is the audience?
Eglash, Ron, Social Text 20.2(2002): 49-64	“Race, Sex, and Nerds: From Black Geeks to Asian American Hipsters,”	2002	Social Text 20.2, 49-64
->	Why it is an important text and who is the audience?
Felt, Ulrike, Rayvon Fouché, Clark A. Miller, and Laurel Smith-Doerr.	The Handbook of Science and Technology Studies. 4 edition.	2016	Cambridge, MA: MIT Press
->	Why it is an important text and who is the audience?
Forsythe, Diana.	“Engineering Knowledge: the Construction of Knowledge in Artificial Intelligence.”	1993	Social Studies of Science 23(3): 445–477.
->	Why it is an important text and who is the audience?
Galison, Peter, and Lorraine Daston	Objectivity.	2007	New York: Zone Books.
->	Why it is an important text and who is the audience?
Haraway, Donna	“Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.”	1988	Feminist Studies 14, no. 3: 575.
->	Why it is an important text and who is the audience?
Haraway, Donna.	“A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.”	1990	In Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge, 149–181.
->	Why it is an important text and who is the audience?
Haraway, Donna. 2016.	Staying With the Trouble.	2016	Duke University Press.
->	Why it is an important text and who is the audience?
Harding, Sandra.	"Rethinking standpoint epistemology: What is 'strong objectivity?'"	1992	The Centennial Review 36, no. 3 (1992): 437-470.
->	Why it is an important text and who is the audience?
Hutchins, Edwin	Cognition in the Wild.	1996	Cambridge, MA: MIT Press
->	Why it is an important text and who is the audience?
Johnson Deborah	Johnson Deborah, Computing Ethics, 4th ed.	2009	Pearson
->	Why it is an important text and who is the audience?
Lakoff, George, & Johnson, Mark.	Metaphors We Live By.	1980	Chicago: University of Chicago Press.
->	Why it is an important text and who is the audience?
Latour, Bruno.	Reassembling the Social: An Introduction to Actor-Network-Theory.	2008	Oxford: Oxford University Press, 2008.
->	Why it is an important text and who is the audience?
Latour, Bruno.	We Have Never Been Modern	1993	Harvard University Press
->	Why it is an important text and who is the audience?
Layne, Linda, Sharra Vostral (Editor), Kate Boyer (Editor),	Feminist Technology	2010	University of Illinois Press
->	Why it is an important text and who is the audience?
Loukissas, Yanni	All Data Are Local: Thinking Critically in a Data-Driven Society.	2019	Cambridge, MA: MIT Press
->	Why it is an important text and who is the audience?
Marx, Leo. 2010.	“Technology: The Emergence of a Hazardous Concept.”	2010	Technology and Culture 51(3): 561–577.
->	Why it is an important text and who is the audience?
Nakamura, Lisa,	“Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture,”	2014	American Quarterly 66.4 (December 2014): 919-941
->	Why it is an important text and who is the audience?
Nick Seaver.	“Algorithms as Culture: Some Tactics for the Ethnography of Algorithmic Systems.”	2017	Big Data & Society 4, no. 2 (December 1, 2017). https://doi.org/10.1177/2053951717738104.
->	Why it is an important text and who is the audience?
Noble, Safiya.	Algorithms of Oppression: How Search Engines Reinforce Racism.	2018	New York: NYU Press.
->	Why it is an important text and who is the audience?
Parvin, Nassim.	"Doing Justice to Stories: On Ethics and Politics of Digital Storytelling."	2018	Engaging Science, Technology, and Society 4 (2018): 515-534.
->	Why it is an important text and who is the audience?
Povenelli, Elizabeth	Geontologies: A Requiem to Late Liberalism.	2016	Duke University Press.
->	Why it is an important text and who is the audience?
Schull, Natasha Dow	Addiction by Design: Machine Gambling in Las Vegas.	2012	Princeton: Princeton University Press
->	Why it is an important text and who is the audience?
Stengers, Isabelle.	Power and Invention.	1997	Minneapolis: University of Minnesota Press
->	Why it is an important text and who is the audience?
Suchman, L.	Human-Machine Reconfigurations: Plans and Situated Actions.	2007	New York: Cambridge University Press	HCI
->	Why it is an important text and who is the audience?
Traweek, Sharon	Beamtimes and Lifetimes	1992	Harvard UP
->	Why it is an important text and who is the audience?
Tsing, Anna. 2015.	The Mushroom at the End of the World.	2015	Princeton: Princeton University Press.
->	Why it is an important text and who is the audience?
Turkle, Sherry	The Second Self: Computers and the Human Spirit. Twentieth Anniversary Edition.	2005	Cambridge, MA: MIT Press
->	Why it is an important text and who is the audience?
Vannevar Bush,	"How We May Think."	1945	The Atlantic (also New Media Reader)
->	Why it is an important text and who is the audience?
Vertesi, Janet and David Ribes (eds.)	Digital STS.	2019	Princeton: Princeton University Press.
->	Why it is an important text and who is the audience?
Winner, Langdon.	“Do Artifacts Have Politics?”	1980	Daedalus 109 (1): 121–136. / New Media Reader
->	Why it is an important text and who is the audience?
DESIGN RESEARCH
->	Why it is an important text and who is the audience?
Bardzell, Jeffrey, and Shaowen Bardzell.	What is Critical about Critical Design?	2013	Proceedings of the SIGCHI Conference on Human Factors in Computing Systems , pp. 3297-3306. ACM
->	Why it is an important text and who is the audience?
Buchanan, R.	Rhetoric, humanism, and design.	1995	Discovering Design: Explorations in Design Studies, 23–66.
->	Why it is an important text and who is the audience?
Buchanan, Richard.	"Wicked problems in design thinking."	1992	Design issues 8, no. 2 : 5-21.
->	Why it is an important text and who is the audience?
Chin, Elizabeth.	My Life with Things: The Consumer Diaries.	2016	Duke University Press
->	Why it is an important text and who is the audience?
Crawford, Hugh, “Thinking Hot: Risk, Prehension, and Sympathy in Design,”	Deleuze and Design eds. Betti Marenko and Jamie Brassett	2015	(Edinburgh: Edinburgh UP) pp. 84-106.
->	Why it is an important text and who is the audience?
diSalvo, Carl	Adversarial Design	2012	MIT Press
->	Why it is an important text and who is the audience?
Dunne, Anthony and Raby, Fiona	Speculative Everything	2013	MIT Press
->	Why it is an important text and who is the audience?
William Gaver	Science and Design: The Implications of Different Forms of Accountability from Ways of Knowing in HCI	2014	Springer
->	Why it is an important text and who is the audience?
Höök, K., & Löwgren, J.	Strong concepts.	2012	ACM Transactions on Computer-Human Interaction
->	Why it is an important text and who is the audience?
JafariNaimi, N., Nathan, L., & Hargraves, I.	Values as hypotheses: design, inquiry, and the service of values.	2015	Design issues, 31(4), 91-104.
->	Why it is an important text and who is the audience?
Le Dantec, Chris	Designing Publics	2016	The MIT Press
->	Why it is an important text and who is the audience?
McCarthy, P., & Wright, P.	Technology as Experience.	2004	Cambridge, Mass: MIT Press.
->	Why it is an important text and who is the audience?
Miller, Daniel	The Comfort of Things	2008	Polity Press
->	Why it is an important text and who is the audience?
Nelson, H. G., & Stolterman, E.	The Design Way: Intentional Change in an Unpredictable World: Foundations and Fundamentals of Design Competence.	2002	MIT Press.
->	Why it is an important text and who is the audience?
Nissenbaum, Helen	How Computer Systems Embody Values.	2001	Computer 34(3): 120-119.
->	Why it is an important text and who is the audience?
Norman, Don.	The Design of Everyday Things	2013	Basic Books, Inc.
->	Why it is an important text and who is the audience?
Theodore M. Porter	Trust in Numbers: The Pursuit of Objectivity in Science and Public Life	1995	Princeton, NJ: Princeton University Press
->	Why it is an important text and who is the audience?
Schön, Donald	The Reflective Practitioner	1983	New York: Basic Books, Inc.
->	Why it is an important text and who is the audience?
Simon, H.	The Sciences of the Artificial	1996	Cambridge: MIT Press	HCI
->	Why it is an important text and who is the audience?
Steen, Marc.	Co-design as a process of joint inquiry and imagination	2013	Cambridge: MIT Press, Design Issues 29, no. 2 (2013): 16-28.
->	Why it is an important text and who is the audience?
Marx, Leo.	Technology: The Emergence of a Hazardous Concept	2010	Technology and Culture 51(3): 561–577., Johns Hopkins University Press
->	Why it is an important text and who is the audience?
Nakamura, Lisa	Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture	2014	American Quarterly 66.4 (December 2014): 919-941, Johns Hopkins University Press
->	Why it is an important text and who is the audience?
Nick Seaver	Algorithms as Culture: Some Tactics for the Ethnography of Algorithmic Systems.”	2017	Big Data & Society 4, no. 2;
->	Why it is an important text and who is the audience?
Noble, Safiya	Algorithms of Oppression: How Search Engines Reinforce Racism	2018	New York: NYU Press
->	Why it is an important text and who is the audience?
Parvin, Nassim	Parvin, Nassim. "Doing Justice to Stories: On Ethics and Politics of Digital Storytelling."	2018	Engaging Science, Technology, and Society 4: 515-534.
->	Why it is an important text and who is the audience?
Povenelli, Elizabeth	Geontologies: A Requiem to Late Liberalism	2016	Duke University Press
->	Why it is an important text and who is the audience?
Schull, Natasha Dow	Addiction by Design: Machine Gambling in Las Vegas	2012	Princeton: Princeton University Press,.
->	Why it is an important text and who is the audience?
Stengers, Isabelle	Power and Invention	1997	Minneapolis: University of Minnesota Press
->	Why it is an important text and who is the audience?
Suchman, L.	Human-Machine Reconfigurations: Plans and Situated Actions	2007	New York: Cambridge University Press	HCI
->	Why it is an important text and who is the audience?
Traweek, Sharon	Beamtimes and Lifetimes	1992	Traweek - Harvard University Press
->	Why it is an important text and who is the audience?
Tsing, Anna	The Mushroom at the End of the World	2015	Princeton: Princeton University Press
->	Why it is an important text and who is the audience?
Turkle, Sherry	The Second Self: Computers and the Human Spirit. Twentieth Anniversary Edition	2005	Cambridge, MA: The MIT Press
->	Why it is an important text and who is the audience?
Vannevar Bush	How We May Think	1945	The Atlantic (also New Media Reader)
->	Why it is an important text and who is the audience?
Vertesi, Janet and David Ribes (eds.)	digitalSTS: A Field Guide for Science & Technology Studies	2019	Princeton: Princeton University Press
->	Why it is an important text and who is the audience?
Winner, Langdon	Do Artifacts Have Politics	1980	Daedalus 109 (1): 121–136. Cambridge, MA: The MIT Press
->	Why it is an important text and who is the audience?
Saldana, Johnny	The Coding Manual for Qualitative Researchers	2016	SAGE
->	Why it is an important text and who is the audience?
METHODS
Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams	The Craft of Research	2008	The University of Chicago Press
->	Why it is an important text and who is the audience?
Brennen, Bonnie	Qualitative Research Methods for Media Studies	2017	Routledge Taylor\Francis Group
->	Why it is an important text and who is the audience?
Buchanan, Richard	Design research and the new learning	2001	Design issues 17, no. 4 (2001): 3-23.. Cambridge, MA: The MIT Press
->	Why it is an important text and who is the audience?
Cooke, Bill, and Uma Kothari, eds.	Participation: The new tyranny?	2001	London : Zed Books
->	Why it is an important text and who is the audience?
Frayling, Christopher	Research in art and design	1993	Royal college of art
->	Why it is an important text and who is the audience?
Friedman, B. and P. H. Kahn, Jr.	Human values, ethics, and design	2003	Lawrence Erlbaum Associates, Inc., NJ, USA
->	Why it is an important text and who is the audience?
Friedman, Ken.	Research into, by and for design	2008	Journal of Visual Art Practice 7, no. 2: 153-160.
->	Why it is an important text and who is the audience?
Gaver, William	What Should We Expect From Research Through Design?	2012	Conference on Human Factors in Computing Systems - Proceedings
->	Why it is an important text and who is the audience?
Heskett, John	Design: A very short introduction. Vol. 136.	2005	Oxford University Press
->	Why it is an important text and who is the audience?
Le Dantec and Fox.	Strangers at the gate: Gaining access, building rapport, and co-constructing community-based research	2015	Proceedings of the 18th ACM conference on computer supported cooperative work & social computing. ACM
->	Why it is an important text and who is the audience?
Manzini, E. (2015) (R. Coad, Trans.)	Design, When Everybody Designs	2015	Cambridge, MA: The MIT Press
->	Why it is an important text and who is the audience?
Margolin, Victor.	The politics of the artificial: Essays on design and design studies	2002	University of Chicago press
->	Why it is an important text and who is the audience?
Parvin, Nassim	Doing Justice to Stories: On Ethics and Politics of Digital Storytelling	2018	Engaging Science, Technology, and Society 4: 515-534.
->	Why it is an important text and who is the audience?
Ratto, Matt.	Critical making: Conceptual and material studies in technology and social life	2011	The Information Society 27, no. 4 (2011): 252-260.
->	Why it is an important text and who is the audience?
Rosner, Daniela K.	Critical Fabulations: Reworking the Methods and Margins of Design	2018	Cambridge, MA: The MIT Press
->	Why it is an important text and who is the audience?
Schuler, Douglas, and Aki Namioka, eds.	Participatory design: Principles and practices	1993	Lawrence Erlbaum Associates, Inc.
->	Why it is an important text and who is the audience?
Sengers, P., Boehner, K., David, S., & Kaye, J. J.	Reflective design	2005	In Proceedings of the 4th decennial conference on Critical computing: between sense and sensibility (pp. 49-58)	HCI
HCI AND THEORY
Bardzell, Shaowen	Feminist HCI: taking stock and outlining and agenda for design	2010	Proceedings of CHI 2010
->	Why it is an important text and who is the audience?
Bijker, Wiebe E., Thomas P. Hughes, and Trevor Pinch	The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology	1989	Cambridge, MA: MIT Press	STS
->	Why it is an important text and who is the audience?
Boyd, Danah	It's Complicated: The Social Lives of Networked Teens	2014	Yale University Press	Media Studies
->	Why it is an important text and who is the audience?
Burrell, G. and Morgan, G.	Introduction and Section 1 in Sociological Paradigms and Organisational Analysis.	1979	New Hampshire: Heinemann.
->	Why it is an important text and who is the audience?
Dourish, Paul.	Where the Action Is: The Foundations of Embodied Interaction	2001	Cambridge, MA: MIT Press
->	Why it is an important text and who is the audience?
Goffman, E.	The Presentation of Self in Everyday Life	1956	New York: Doubleday
->	Why it is an important text and who is the audience?
Klemmer, Scott, Bjoern Hartmann, Leila Takayama	How Bodies Matter: Five Themes for Interaction Design	2006	Proceedings of DIS 2006
->	Why it is an important text and who is the audience?
Kuhn, Thomas	Scientific Paradigms	1963	pp 80-104 in Sociology of Science edited by Barry Barnes, Middlesex: Penguin Books
->	Why it is an important text and who is the audience?
M. Boden.	Computer Models of Creativity	2009	AI Magazine, pp. 23-34. Cambridge University Press
->	Why it is an important text and who is the audience?
Suchman, L.	Human-Machine Reconfigurations: Plans and Situated Actions 2nd Edition	2007	Cambridge, England: Cambridge University Press
->	Why it is an important text and who is the audience?
Turkle, S.	Life on the Screen: Identity in the Age of the Internet	1997	New York :Simon & Schuster	STS
->	Why it is an important text and who is the audience?
Ullmer, Brygg, and Hiroshi Ishii.	Emerging frameworks for tangible user interfaces	2000	IBM systems journal 39.3.4 (2000): 915-931.
->	Why it is an important text and who is the audience?
Winner, L.	"Do Artifacts Have Politics?" In The whale and the reactor: a search for limits in an age of high technology	1986	Cambridge, MA: MIT Press( also Chicago, University of Chicago Press, 19-39)
->	Why it is an important text and who is the audience?
HISTORY
Bush, V.	As we may think	1945	The Atlantic (also New Media Reader)
->	Why it is an important text and who is the audience?
Engelbart, D. C.	Augmenting Human Intellect: A Conceptual Framework	1962	Stanford Research Institute.
->	Why it is an important text and who is the audience?
Ishii, Hiroshi and Brygg Ullmer	Tangible bits: towards seamless interfaces between people, bits and atoms	1997	Proceedings of the ACM SIGCHI Conference on Human factors in computing systems, Atlanta, Georgia
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Rogers, Yvonne	HCI Theory: Classical, Modern, and Contemporary	2012	Morgan & Claypool Publishers
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Simon, H.	The Sciences of the Artificial	1996	Cambridge: MIT Press	Design
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Turing, A. M.	Computing Machinery and Intelligence	1950	Oxford University Press on behalf of the Mind Association, 59, 433-460.
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Weizenbaum, J.	Eliza-- A Computer Program for the Study of Natural Language Communication between Man and Machine	1996	ACM, Volume 9, Number 1 (January 1966): 36-35.(1), 36.
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SOCIAL SCIENCE
Dombrowski, Lynn, Ellie Harmon, and Sarah Fox.	Social justice-oriented interaction design: Outlining key design strategies and commitments	2016	In Proceedings of the 2016 ACM Conference on Designing Interactive Systems, pp. 656-671. ACM
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Dourish, Paul.	Implications for design.	2006	In Proceedings of the SIGCHI conference on Human Factors in Computing Systems, pp. 541-550. ACM
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Hayes, Gillian R	The relationship of action research to human-computer interaction	2011	ACM Transactions on Computer-Human Interaction (ToCHI). 18:3., New York: Association for Computing Machinery
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Hughes, J.A., O'Brien, J., Rodden, T. & Rouncefield, M.	Designing with Ethnography: A Presentation Framework for Design	1997	In Proceedings of DSI '97. ACM Press., New York: Association for Computing Machinery
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Nardi, B. A.	Studying Context: A Comparison of Activity Theory, Situated Action Models, and Distributed Cognition.	1996	In B. A. Nardi (Ed.), Context and Consciousness. Cambridge, MA: MIT Press.
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Olson and Kellogg	Ways of Knowing in HCI	2014	New York: Springer-Verlag
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Sengers, P, K. Boehner, S. David, and J. J. Kaye.	Reflective design.	2005	In CC ’05: Proceedings of the 4th decennial conference on Critical computing, pages 49–58, New York: Association for Computing Machinery	Design
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¶ Computational Media Reading List